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Pierre Cardin

Couturier

Cardin was educated in central France. Beginning his career early, Cardin, aged 14, worked as a clothier’s apprentice, learning the basics of fashion design and construction. In 1939, he left home to work for a tailor in Vichy, where he began making suits for women. During World War II, he worked in the Red Cross, launching humanitarian interests that continue to this day.

Cardin moved to Paris in 1945. There, he studied architecture and worked with the fashion house of Paquin after World War II. He worked with Elsa Schiaparelli until he became head of Christian Dior's tailleure atelier in 1947, but was denied work at Balenciaga.

Cardin founded his own house in 1950. His career was launched when he designed about 30 of the costumes for "the party of the century", a masquerade ball at Palazzo Labia in Venice on 3 September 1951, hosted by the palazzo's owner, Carlos de Beistegui. He began with haute couture in 1953.

Cardin was the first couturier to turn to Japan as a high fashion market when he travelled there in 1959.

In 1959, he was expelled from the Chambre Syndicale for launching a ready-to-wear collection for the Printemps department store as the first couturier in Paris, but was soon reinstated.
Pierre Cardin - Cobra Table and Chair

During the 1960s, Cardin began a practise that is now commonplace by creating the system of licenses that he was to apply to fashion. A clothing collection launched around this period surprised all by displaying the designer’s logo on the garments for the first time.

Cardin resigned from the Chambre Syndicale in 1966 and began showing his collections in his own venue, the "Espace Cardin" (opened 1971) in Paris, formerly the "Théâtre des Ambassadeurs", near the Embassy of the United States in Paris. The Espace Cardin is also used to promote new artistic talents, like theater ensembles, musicians, and others. He was also contacted by Pakistan International Airlines to design uniforms for the flag carrier. The uniforms were introduced in 1966 to 1971 and became an instant hit.

In 1971, Cardin redesigned the Barong Tagalog, a national costume of the Philippines by opening the front, removing the cuffs that needed cufflinks, flaring the sleeves, and minimizing the embroidery. It was also tapered to the body, in contrast with the traditional loose-fitting design; it also had a thicker collar with sharp and pointed cuffs. A straight-cut design was favored by President Ferdinand Marcos.

Cardin was a member of the Chambre Syndicale de la Haute Couture et du Prêt-à-Porter from 1953 to 1993.

Like many other designers today, Cardin decided in 1994 to show his collection only to a small circle of selected clients and journalists. After a break of 15 years, he showed a new collection to a group of 150 journalists at his bubble home in Cannes.

 

Pierre Cardin dress

Sleeve to ¾ dress made of red wool crepe with box pleat A-line skirt trimmed with oval-shaped pockets; belt in matching fabric. Sixties [...]

COSTUME'S DETAILS

Pierre Cardin dress

Ivory wool crepe knee-lenght dress with asymmetric neckline fastening with two wide transparent and golden plastic buttons, flared skirt with cannolé effect. Sixties [...]

COSTUME'S DETAILS