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Midnight blue knee length single-shoulder dress made of silk crepe with bow trimming on the shoulder and wrap-around draping on the back. Seventies [...]
Dark blue faux leather jacket with polo neck trimmed with a big ivory Courrèges' logo on the breast, white automatic buttons fastening at the front, Late Sixties [...]
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Robe à la française 1750 /1760 in pink moirèe and silk with boulloinè profiles [...]
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Trajes de luces by Luis Miguel Dominguín and his teacher Manolete, in silk satin embroidered with gold and silver glass tubules. Donated by Luis Miguel Dominguín.[...]
Flowered chiffon dress (1950). Belonged to Gugi Hruska, donated by Olimpia Hruska.[...]
Dresses by Sorelle Botti and monkey fur coat by Giovanni Balzani. Belonged to Suso Cecchi d’Amico, donated by Silvia, Caterina and Masolino d’Amico[...]
In the foreground, Battilocchi (1965) dress entirely embroidered with silver glass tubules; behind, Galanti (1960) dress entirely embroidered with ice-coloured glass tubules. Belonged to Livia de Stefani, donated by Letizia Signorini.[...]
Dresses (1970–80): from left, silver matelassé dress with braiding; silver matelassé dress with bead embroidery; dress entirely embroidered with black and ivory beads and sequins. Donated by Sandra Carraro[...]
Dresses (1980–90): from left, patternedsilk dress; silk velvet dress with crêpe de chine inserts; pale green silk and patterned green lamé dress. Donated by Laura Betti.[...]
From left: pink, fuchsia and maroon lamé dress (1960); red crêpe dress with chiffon sleeves of the same colour (1970); suit in double black crêpe with fur collar and braiding on the front (Cavalli, 1970) Part of the Barsanti donation[...]
From left: costume for "Adriana Lecouvreur", consisting of a bodice in black faille and a black and white striped silk skirt, with white tulle jabot; costume for "La Gioconda", in black velvet embroidered with white pearls; costume for "Tosca", in red velvet embroidered with gold glass tubules Donated by Magda Olivero[...]
Dresses (1922–23): from left, authentic dress of black and silver chiffon entirely embroidered with glass tubules that belonged to Mae West; authentic dress in black georgette embroidered with red, ivory and black beads and flower motifs. Donated by Franco Carretti[...]
Costumes for "As You Like It", designed by Salvador Dalí in 1948 (in the background, an enlargement of his sketch) and made by Sartoria Marta Palmer for Luchino Visconti’s theatre company. From left: costume for Touchstone, worn by Paolo Stoppa, with multicoloured jacket in different materials (silk, cloth, taffeta); red silk costume for Rosalind, embroidered with sequins and gold glass tubules, decorated with feathers and bows of the same colour, worn by Rina Morelli. Donated[...]
Costumes for Orestes, designed by Mario Chiari in 1949 and made by Sartoria Marta Palmer for Luchino Visconti’s theatre company. From left: costume for Clytemnestra, worn by Paola Borboni, in black and red taffeta embroidered with sequins and decorated with black feathers; costume for Orestes, worn by Vittorio Gassman, in gold taffeta, embroidered with red and fuchsia sequins and decorated with multicoloured feathers; costume for Electra, worn by Rina Morelli, in dove-grey taffeta, embroidered[...]
Liveries (early nineteenth century): from left, of the Altieri family; centre and right, of the Del Drago family. Donated by Princess Domietta del Drago[...]
Costume for a masked ball entirely embroidered with green and gold sequins, made by the couturier Gastone Zemel in 1928. Donated by Marchioness Antinori[...]
From left to right: coat with fur trimmings by De Luca; silk day dress; astrakhan fur coat by Del Frate and satin crêpe dress trimmed with mink by De Luca. Part of Silvana Mangano’s wardrobe donated by Silvia d’Amico.[...]
Ceremonial shoes. Ankle boots that belonged to Rose Kennedy, mother of President John Fitzgerald Kennedy, worn with her wedding dress in 1914 Donated by Franco Carretti[...]
Authentic eigteenth-century dresses from the Charles de Beistegui Collection, purchased at auction by Fabrizio Clerici, who donated them to Umberto Tirelli in 1972.[...]
Authentic eigteenth-century dresses from the Charles de Beistegui Collection, purchased at auction by Fabrizio Clerici, who donated them to Umberto Tirelli in 1972.[...]
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